At Seventeen
Janis Ian’s hauntingly beautiful ballad is reimagined as a sweeping big band feature, rich with lush harmonies and dramatic orchestration—evoking the power and elegance of a classic Stan Kenton chart.

Fee-Fi-Fo-Fum
This big band arrangement of Wayne Shorter’s iconic composition spotlights the trombone from start to finish, weaving it through bold ensemble passages, colorful harmonies, and atmospheric textures that honor the spirit of the original while adding new depth and drive.

The Meaning of the Blues
A soaring jazz ballad that showcases the solo trumpet from the opening melody to heartfelt improvisation. Lush ensemble writing and dramatic brass voicings reflect a strong Kenton influence, making this a powerful and expressive centerpiece for any program.

When I Look In Your Eyes
This timeless melody from Doctor Dolittle is reimagined as a lyrical jazz ballad, featuring the trombone in both expressive written lines and soulful improvisation. Warm, flowing ensemble passages provide the perfect backdrop, blending classic charm with rich big band textures.

Stella By Starlight
n exhilarating up-tempo swinger that puts the jazz trumpet soloist in the spotlight from start to finish. Scored for full big band, this chart combines fiery ensemble writing with plenty of room to shine. A guaranteed crowd-pleaser that brings the house down.

I Wish You Love
A beloved French melody gets a breezy swing treatment in this charming chart that’s sure to delight audiences. The pianist takes center stage throughout, supported by a brief ad lib alto sax solo and playful ensemble passages that radiate warmth and good humor.

What I Did For Love
This powerful ballad from A Chorus Line is reimagined in a lush, Kenton-inspired setting, rich with dramatic harmonies and sweeping ensemble colors. Features expressive solos for piano and alto sax, making it a standout feature in any concert program.

For Heaven’s Sake
VOCAL
A beautiful ballad enhanced by rich jazz harmonies and a tasteful improvised alto sax solo. With a vocal range of just one octave (A to A), it’s accessible for most singers while still offering a sophisticated and expressive musical experience.

I’m Beginning to See the Light
VOCAL
This playful classic, originally arranged for the Glenn Miller Orchestra, is now available for the first time. With its timeless charm and authentic swing feel, it’s a perfect addition to any program celebrating the golden age of big band music.

Hey Good Lookin’
VOCAL
This Hank Williams classic gets a swinging big band makeover in the spirit of Basie, complete with a hard-driving shout chorus and space for a guitar (or piano) solo. With a compact vocal range (E to C), it’s an ideal choice for most vocalists and a guaranteed crowd-pleaser.